Things that glow are enticing subjects for photographers – it’s a challenge to capture the effect of light, and of course we want to preserve it for posterity, or at least be able to say “Look at that!”.
Early morning and late afternoon are best for that certain slant of light, but artificial light can be rewarding too, as in the two pics here of glass vessels back-lit and seen through frosted glass.
With the red Sparaxis – an old variety given to my mother at least 50 years ago – the glow is all about the colour and texture in the petals, whereas the Mt Hood daffodil glows because the sun is shining through it’s crystalline whiteness.
The spectrum from a crystal in a window is glowing more than usual, because the textile is quite bright to start with. Look at that!
I’ve taken photos from aeroplane windows, but I went for a smaller Scale for this week’s challenge. I’ve always liked miniatures, so tiny trees are bound to appeal to me, along with fairies and other little creatures – including a very small dinosaur among the succulents. The fairy door has a solar panel, so that I can look out the kitchen window at night and see the neighbouring fairies have their light on. The proto-bonsai is a Juniper, which I had to have since that’s my grand daughter’s name. I now need plants called Matilda and Banjo…
I didn’t notice the insect on the blueberry bush until after I took the photo – just lucky there! The tiny Wiry Bluebell is a native plant that just appeared in our garden one year and now thrives uninvited (but welcome)in at least half of my pots. The poppy leaves give scale, so you can tell how tiny the flower is.
Everything has structure, I guess, although not always photogenic. Still, as beauty is in the eye of the beholder, photogenic must be in the eye of the photographer…
I’ve chosen one image of man-made structure, and two natural. The structure of the buds fascinated me, and the sun behind the tree highlights the structure of the branches. The old pressed glass bottles are tantalisingly displayed behind frosted glass in what was once an internal window. My Dad built shelves into one side of what used to be a sliding door and I recently added upcycled frosted glazed doors to the open side to make a shallow cupboard of sorts. I have since applied a film to the old plain glass. The plan was for more privacy while still letting in light, but I am constantly delighted by the appearance of ghostly forms through the frost.
Standing on the corner, or in the corner… so many possible angles to this challenge….
I’ve chosen a corner of my life – and the corners of my sunroom, which I’ve been redecorating and decluttering (work in progress!)for some time. My Dad built this room – an extension of the existing verandah – about 25 years ago. It was his therapy after my sister died, and it’s served a number of functions over the years. On a sunny winter afternoon, the couch is the best seat in the house – and a favourite spot for the cat, of course.
Taking photos of my decor gives me a greater appreciation for the work of interiors photographers – there’s more too it than plumping the cushions and clicking the button! I suspect that someone does a lot of tidying and “editing” of the homes we see in magazines. I’d love to see before and after styling pics – I think they’d be instructive!
One of the attractions of photography is trying to capture those Oooh Shiny! moments for posterity, or perhaps to share with someone else who would have been equally distracted (and still can be, thanks to you and your camera).
Yesterday morning I had plans in place to wash walls in preparation for painting…but there was ‘good’ frost, so the plans went on the backburner for a while. I had to go and feed my son’s cat, and I kept my focus long enough to feed him before I got waylaid by icy cactus spines, dewdrops (almost gave up on that one, the camera wouldn’t stay focused…) and violets that looked like they’re frosted with sugar.
I finished my painting this afternoon, so I didn’t get distracted for too long…
Nature photographers will be in their element this week, with the Elemental theme inviting images of Earth, Air, Fire and Water – maybe all at once!
Mine are mainly fire – my youngest son’s birthday is in late April, when fire restrictions are generally lifted. By then, we have a pile of fallen branches and other flammable rubbish piled up ready. No bonfire is complete without an effigy of some sort, and making a ghastly guy is now part of the ritual. There always seems to be an old, unwanted item of furniture for the pile, too – one less thing in landfill, and a sobering illustration of how quickly synthetic materials burn.
It’s also an incredible photo opportunity, yielding a series of dramatic images.
When I saw that this week’s challenge is textures, my first thoughts were of roughness and bumpiness although lack of bumps is also a texture.
One of the attractions of taking pics of my daughter’s three cats on the bed is the contrasting textures of their fur and the bedding.
I made an Elizabethan style smocked and embroidered baby gown for my middle son 36 years ago. Last week I had my 7 week old grandson, Banjo, model it for me – the stitches on the fabric have lovely texture – so do his squooshy cheeks!
The white Japonica is beautiful, but last summer it was overrun by Cleavers/Goosegrass, which is now silvery grey and a nice contrast with the blossom. It’s also covered in seeds, unfortunately…
Grampians Textures is also the name of the annual textile workshop-fest that takes place in Halls Gap in March. I don’t get to do a course every year, but I did do four days of mixed media with Kieth Lo Bue this year – lots of textures in these pieces I made.